Wifredo Lam printed the identification of Cuba on his canvases – •

A report from Prensa Latina.

With a piece marked by parts of African and Asian tradition synthesized in Cuban identification, Wifredo Lam in the present day is a transparent reference of tradition stamped along with his mastery of brushes and canvases.
Certified as probably the most common painter of the Caribbean nation, the creator who died on September 11, 1982, left behind dozens of works marked by his personal model, which mixed surrealism and cubism.

His imprint on iconic works of worldwide modern artwork, launched Afro-descendant traditions and spirituality within the portray of the biggest of the Antilles, he opened the doorways to a brand new approach of making and exhibiting the frequent historical past of the Caribbean international locations.

On this sense, his emblematic portray La Jungla (1943) stands out, through which he reveals his means to merge visions and experiences, by way of the mix of the jungle, reed mattress and forest panorama, impregnated with symbols, deities, animals, human faces and phallic innuendo.

This articulation of parts led the critic Alain Jouffroy to explain the work as ‘the primary plastic manifesto of the Third World’, at the moment exhibited on the Museum of Fashionable Artwork in New York, United States.

Likewise, his in depth catalog contains items similar to La Silla, El Huracán, Maternidad, Ídolo, amongst others extremely valued by collectors and galleries world wide, in addition to engraving, ceramic and steel objects.

Lam was born on December 8, 1902 in Sagua la Grande, the previous Cuban province of Las Villas, studied on the Skilled Faculty of Portray and Sculpture, Academia de San Alejandro, on this capital, then traveled to Europe on a scholarship, and stuck his residence first in Spain, then in France.

His items are prestigious in a very powerful non-public and public galleries on the planet, and are the topic of repeated specialised research that also attempt to reveal the essence of him, attributable to its symbolism and confluence of cultural representations.


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