The place will Black girls collect within the post-Twitter period? — Andscape

When Elon Musk introduced in April that he supposed to purchase Twitter and pledged to guard “free speech” on the platform, many Black girls feared it might exacerbate the harassment they already face each day. Every week later when Twitter accepted Musk’s provide and other people started deleting their accounts en masse, I made a decision to take a wait-and-see method. I wanted to witness the platform formally beneath Musk’s reign earlier than I used to be prepared to offer it up.

As a Black lady author residing in Kentucky, my profession is feasible due to social media. I made my early connections within the trade via Fb teams for feminine writers. I obtain new alternatives every time a chunk I write goes viral on Twitter. And I’m fairly positive the a whole bunch of Instagram selfies I’ve posted have one thing to do with that point I used to be invited to be a decide for a cooking competitors present. And on at the very least one event a person has messaged me on LinkedIn with an precise job provide. However this isn’t to say that, like many writers, I’m trying ahead to the day I can delete my accounts as a substitute of staying out of worry that my profession will stagnate if I don’t keep a social media presence. Doomscrolling is draining, for positive, however so are the constant reminders that y’all actually, actually, actually, actually hate Black girls.

No matter Musk’s plans for Twitter, possibly it’s simply time for one thing new? I’ve remained very on-line via the autumn of AOL, LiveJournal, Myspace and different platforms as a result of I’ve been drawn to connecting with folks, turning to the web for kindred spirits at instances when there have been few to be present in my offline life. And that want has remained lively many years after I created my first account on AOL Immediate Messenger.

When #BlackTwitter disbands for good, the place will Black girls collect just about? And can that house be any higher than those that got here earlier than it? I spoke with a founder who’s attempting to reply these questions and different Black girls about once they first fell in love with the web, how social media has damaged their hearts, and the areas they discover themselves turning to now.


In her guide, Typically I Journey on How Blissful We May Be, Nichole Perkins has an essay devoted to her time on the Okayplayer message boards within the early 2000s. She initially joined for a man — who was already relationship another person. “Getting on the board was our means of speaking to be secretive,” she stated.

However she shortly got here to get pleasure from Okayplayer for different causes. Perkins had used AOL chat rooms however didn’t like how conversations whizzed previous. She didn’t really feel like she might get to know the folks within the rooms, so there was a scarcity of belief. On Okayplayer, the tempo was slower and the boards included names and photographs. “It was very easy to be like, ‘Hey, I’m going to be visiting D.C., what ought to I do?’ and have all of it concentrated on this one publish versus attempting to return and scroll and look via the chat rooms,” she stated.

For Perkins, the web was about forming a connection to folks and locations past what is likely to be discovered from the outdated encyclopedia on the household bookshelf. “They have been written by white folks trying on the world from a really specific type of view. And so, once I first received on the web, I used to be connecting to different folks of colour in these completely different locations.” This shifted her perspective on locations she’d but to journey, for instance. “They gave me a distinct means of Paris that wasn’t simply, ‘We’re gonna go over right here and kiss on the Eiffel Tower,’ ” she stated. “It was, ‘Oh, yeah, however they deal with African immigrants actually poorly right here.’ … It’s not simply baguettes.”

When her Okayplayer neighborhood started to float over to Twitter, Perkins adopted swimsuit. However the platform, the place Perkins has greater than 34,000 followers, didn’t serve her in the identical means. “There are such a lot of extra eyes on me on Twitter, strangers, individuals who purposely misconstrue what I’m saying, or don’t wish to search for context,” she stated. Perkins can also be pissed off that point on Twitter and Instagram that could possibly be spent participating with others is as a substitute used for blocking bots.

She identified that some customers’ whole presence on Twitter is dedicated to diminishing Black girls. After the Uvalde, Texas, taking pictures, there have been requires actor Quinta Brunson to handle the problem on Abbott Elementary, her sitcom a couple of Black elementary college in Philadelphia: “ ‘Are you able to please do a college taking pictures episode and traumatize these Black and brown children in your present?’ Individuals want Black girls as a way to get off their heartaches, as a way to make the tradition transfer, as a way to survive on social media,” she stated.

Angela Nissel, the unique architect behind the Okayplayer message boards, stated what allowed Black girls to be much less guarded on Okayplayer than Twitter is that there was extra built-in accountability as a result of lots of the customers grew to become buddies offline.

Louisa Bertman

Angela Nissel, the unique architect of the Okayplayer message boards and at the moment a author and government producer on Netflix’s Ginny & Georgia, stated what allowed Black girls to be much less guarded on Okayplayer than Twitter was that there was extra built-in accountability as a result of lots of the customers grew to become buddies offline, even going to get their nails or hair executed collectively. “With the intention to have a neighborhood that feels protected, you need to have that reference to folks,” she stated.

And since Okayplayer is the web site for The Roots, there was a standard baseline as followers of their music that made folks open to listening to one another. Nissel recalled a time when women and men have been at odds over singer Jennifer Lopez. “J. Lo was scorching as a result of she had a giant butt. I bear in mind all the ladies on Okayplayer have been like, ‘Wait, we had large butts first.’ … Anyway, I simply bear in mind among the guys on there posting like, ‘Rattling, I by no means considered it. How offensive am I being to the ladies on this web site?’ ”

Nissel doesn’t spend a lot time on Twitter. She believes it’s too straightforward for Black girls’s concepts and ideas to be exploited by others. “If somebody with a bunch of extra followers than you tweets one thing, in your phrases, nobody will ever realize it was you first,” she stated. “So, I really feel like as people, we’d like our personal areas. And Twitter undoubtedly will not be our personal house. That may be a house for those that have extra entry than us to take what we’ve executed.”

As an alternative, Nissel does her digital socializing in Fb teams, group texts and locations the place she could be nameless, akin to Reddit teams for Black girls. “Since so many people reside on this digital house proper now, it must be like our home,” she stated. “We have to know the place issues are, we have to know the principles: No sneakers on. And with Twitter, and these different locations, it’s someone else’s guidelines, and we’re at all times bending to suit into them.”


Minda Harts designed The Memo as a neighborhood that doesn’t require Black girls to bend to slot in. The creator of a number of books about Black girls within the office, together with one additionally named The Memo, has grown the digital web site to 60,000 customers. After I first met Harts a number of years in the past, the neighborhood was lively within the Slack chat service, however it now principally operates through e-newsletter and Twitter. Harts stated they’ve lately pivoted to be extra of a useful resource hub as folks start to hunt out alternatives to attach in particular person.

To maintain battle to a minimal, Harts had moderators within the Slack neighborhood whereas additionally making it clear they’d gathered particularly to debate office points. “We’re not speaking about [The Real] Housewives. … To not say that you could’t have these conversations, however I believe if you begin going into different areas, it permits for conflicting conversations,” she stated. “However as a result of we’re speaking about wage negotiation, we’re speaking about managing, a few of these profession contexts, there wasn’t room for the battle.”

Minda Harts designed The Memo as a neighborhood that doesn’t require Black girls to bend to slot in.

Louisa Bertman

This isn’t how Twitter operates, as Harts has skilled firsthand. She’s needed to bounce again from destructive Twitter interactions. “I’m not going to let these folks take me out. And that’s what I believe generally these social platforms can do is silence Black girls who’re doing good,” she stated. “And as soon as I received out of my emotions, I noticed that these are the issues that include being a quote-unquote public determine and placing your stuff on the market for public consumption.”

In the end, she’s not too involved by Musk’s supposed takeover. “I do consider that identical to something, that we do transfer tradition and we shift it, and we are going to discover one other house the place we all know that we are able to do our greatest work and construct neighborhood. We’ve by no means wanted permission to construct these areas.”


When Moya Bailey was within the sixth grade within the Nineteen Nineties, she requested her dad and mom for the web for Christmas. The creator of Misogynoir Reworked: Black Girls’s Digital Resistance nonetheless remembers the sound of the modem beginning up, utilizing Prodigy, then AOL, and the way it felt to attach with others past her hometown of Fayetteville, Arkansas. However whilst a woman, it was evident to her how the web could possibly be used for sick.

Currently, she’s been fascinated by the ripple impact that being on-line has offline. “The worldwide digital provide chain is one thing I’m actually inquisitive about. There’s Black ladies within the Democratic Republic of the Congo who’re mining the minerals that energy digital units. There are employees in Foxconn in Sichuan, China, who’re doing the labor of constructing our smartphones and Apple merchandise. After which, after all, within the U.S. we now have all the information facilities that retailer Amazon Internet Providers or Google servers, and all of these issues are cooled by native water provides in rural America.”

Bailey desires to play a component in facilitating conversations in these communities about how exploitation and extraction have an effect on them and the function her area performs. “As someone who research digital media, I actually wish to assist make different students conscious that a part of our work is contingent on this exploitation,” she stated. “What can we owe these communities by way of our work to begin to shift that?”

She additionally linked the dots between the habits of lecturers and the media and other people transferring to monetize their social media presence. “I believe the thought of monetizing got here from the truth that plenty of journalists and lecturers, and different folks, have been in a position to see content material and extract it and divorce it from the individuals who really created it. So, the logical response was, ‘Effectively, that’s not honest for BuzzFeed to receives a commission off of this listicle that has all of those free tweets that ladies of colour created from their very own pursuits,’ ” Bailey stated. “It has basically modified how folks work together with these platforms, and the expectation is that if I’m placing one thing on the market, then I must be paid for it.”

This isn’t to say Bailey doesn’t miss elements of the early web. “One of many advantages of Twitter and Tumblr, and likewise these early running a blog days, was that individuals had the chance to truly interact in dialog. And there was an understanding that we have been speaking with one another, not at one another,” she stated. On her guide tour, in a dialog with Mariame Kaba, who advocates for the abolition of the jail industrial advanced and the tip of violence, Bailey shared that Kaba dropped this gem: “We’ve moved from having conversations with friends to having conversations with followers. The concept of influencer and follower tradition creates a really extractive relationship. And so, there’s one thing actually highly effective about not being on show and having conversations which are really with a neighborhood of people who find themselves friends, versus that influencer-follower dynamic that’s routinely out of steadiness.”

Someplace Good app founder Naj Austin. Someplace Good’s ethos is centered on not harming the neighborhood it’s making an attempt to serve. This implies providing battle mediation together with moderation.

Louisa Bertman

This has pushed Bailey and plenty of different Black girls to hunt out smaller, extra communal areas. The brand new app, Someplace Good, would possibly simply be the place they’ve been trying to find. The identical week in April that Twitter accepted Musk’s provide, an e mail from founder Naj Austin hit my inbox inviting me to obtain the app. It took me again to my very own early days on the web, a enjoyable, freer time once I would make countless tweaks to my Myspace web page and decide up bits of the net programming language generally known as HTML to customise my assortment of Angelfire and GeoCities web sites. Every day on Someplace Good, 4 completely different dialog starters drop sorted into 4 areas known as “Worlds” – Artists Rituals, Communal Care, Radical Library and Deep Discourse. Customers report their responses to the questions of their selecting. Different customers can reply to the audio posts or report their very own.

There’s a “Play All” button on the high of the display screen and I discovered myself peering out the window, brushing my enamel and pacing round my room as I listened. I observed that customers have been extra supportive of one another than you would possibly witness in different elements of the web. They have been light and requested participating follow-up questions. After I shared this commentary with Austin, she basically responded that this was as a result of Someplace Good is a queer house. “My queerness, the queerness of the app is simply an embedded a part of what it’s. And I believe it’s in these affirmations you hear, it’s in all the best way that individuals discuss to at least one one other,” she stated. “I believe that’s what a queer house is. It tends to be kinder, extra open, extra clear, extra curious, and never from a spot of desirous to take one down.

“Particularly from the lens of queerness, blended new households are one thing that we’re accustomed to. Whenever you discuss Blackness in America, household is who you determine it to be, not essentially at all times blood-related. And after we discuss white folks and the platforms that they have an inclination to create which are meant for social, it’s at all times designed round who you already know and who they know, in order that, ‘We will maintain it insular. In order that we are able to’t let in all these different folks.’ ”

She identified how Fb began as a university group after which expanded to individuals who weren’t in faculty. “And, sure, it opened up. However I believe attempting to construct a brand new know-how round your contact guide is so myopic.”

I requested Austin whether it is even potential to make “someplace good” on-line for Black girls. She conceded, based mostly on her personal expertise, that “Being a Black, queer lady on-line will not be nice.”

“After we have been fascinated by what the product was, that was a core tenet, ‘How are we really including worth again to an individual’s life?’ And if you’re speaking about Black folks, particularly, a lot of being on-line is a reminder of atrocities,” she stated. However she additionally believes that’s not the way it must be. There’s no doomscrolling on Someplace Good.

However they don’t have any false notions that the design decisions they’ve made and the neighborhood they’re making an attempt to domesticate will result in utopia. Not like platforms that fall again on a “freedom of speech” argument when battle arises (Racism? Anti-trans content material? Misinformation? Right here?! How?!), Someplace Good’s ethos is centered on not harming the neighborhood it’s making an attempt to serve. This implies providing battle mediation together with moderation.

As proof that many platforms aren’t invested in addressing battle, Austin observed a frequent person grievance that websites have a number of methods to attach when they should receives a commission however are tougher to achieve when somebody has been harmed.

The neighborhood constructing doesn’t cease on-line with Someplace Good. They opened a bodily house in Brooklyn, New York, in late June. Anybody with the app is welcome, without charge, to attend occasions. Being conversant in somebody from the app works as an icebreaker for in-person connection.

The long-term imaginative and prescient for the app is to function an archive, which is far wanted in Black communities the place archives are sometimes misplaced as a result of a scarcity of sources. “Desirous about what context and nuance appears to be like like when information is being shared via the lens of id, centering people who find themselves non-white, I believe is compelling,” Austin stated. She provides the instance of a meatloaf recipe and the richness that’s added when listening to somebody inform you how their household prepares it in comparison with what Austin describes as a “flat search” on Google.

Already, I’m dreaming of lastly cataloging my mom’s recipes since she refuses to jot down them down. How my buddies know me by my giggle and the way I’m typically advised that there’s simply one thing a couple of Black lady’s giggle — you’ll be able to hear our soul in it. And I’m dreaming in regards to the sound of our laughter residing on lengthy after us someplace good.

Minda Honey is a Louisville, KY based mostly author and founding father of TAUNT. She spends her free time residing past her emotional means and hyping up her buddies on social media.

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