On View: See Photos From Otis Kwame Kye Quaicoe’s 2021 Artist-in-Residence Exhibition at Rubell Museum in Miami

 

On View presents photos from noteworthy exhibitions

 

COWBOYS AND TWINS take heart stage on the Rubell Museum in Miami, the place Otis Kwame Kye Quaicoe is presenting his 2021 Artist-in-Residence exhibition. Quaicoe stands out amongst a proliferation of younger artists rising over the previous a number of years whose central focus is Black portraiture.

Quaicoe usually makes portraits of his family and friends. The photographs are research in distinction and illustration. He paints the pores and skin of his topics in shades of ebony and charcoal grey and employs a vibrant palette for his or her clothes. The dramatic strategy captures the individuality and innate model of his self-possessed topics with photographic element.

Born in Accra, Ghana, Quaicoe lives and works in Portland, Ore. For his newest suite of work on the Rubell Museum, the artist attracts on his private and cultural historical past. In Ghanian Ga tradition, the beginning of twins is considered as proof of an inherent connection between the corporeal and the religious. The son of twins, Quaicoe explores the phenomena in collection of double portraits.

He additionally seeks to deliver visibility to the storied historical past of Black American cowboys. Engaged on a monumental scale, Quaicoe is presenting a trio of highly effective portraits, providing his personal modern, fashion-forward take—cowboy hats, purple turtlenecks, and lengthy, multicolored braids. CT

 

Otis Kwame Kye Quaicoe: 2021 Artist-in-Residence is on view on the Rubell Museum in Miami, Fla., from Nov. 29, 2021–October 2022

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OTIS KWAME KYE QUAICOE, “Akwete,” 2021 (oil on canvas, 40 x 30 inches, 101.6 x 76.2 cm). | © Otis Kwame Kye Quaicoe, Acquired by Rubell Museum in 2021

 


OTIS KWAME KYE QUAICOE, “Flamboyant Posture,” 2021 (oil on canvas, 72 x 72 inches / 182.9 x 182.9 cm). | © Otis Kwame Kye Quaicoe, Acquired by Rubell Museum in 2021

 


OTIS KWAME KYE QUAICOE, “Oko,” 2021 (oil on canvas, 40 x 30 inches / 101.6 x 76.2 cm). | © Otis Kwame Kye Quaicoe, Acquired by Rubell Museum in 2021

 


OTIS KWAME KYE QUAICOE, “Moses Adomah,” 2021 (oil on canvas, 144 x 108 inches / 365.8 x 274.3 cm). | © Otis Kwame Kye Quaicoe, Acquired by Rubell Museum in 2021

 


OTIS KWAME KYE QUAICOE, “Rainyanni (Cowgirl),” 2021 (oil on canvas, 144 x 108 inches / 365.8 x 274.3 cm). | © Otis Kwame Kye Quaicoe, Acquired by Rubell Museum in 2021

 


OTIS KWAME KYE QUAICOE, “David Theodore,” 2021 (oil on canvas, 144 x 108 inches / 365.8 x 274.3 cm). | © Otis Kwame Kye Quaicoe, Acquired by Rubell Museum in 2021

 


OTIS KWAME KYE QUAICOE, “Oko and Akwete in Beret,” 2021 (oil on canvas, 40 x 60 inches / 101.6 x 152.4 cm). | © Otis Kwame Kye Quaicoe, Acquired by Rubell Museum in 2021

 

TOP IMAGE: Set up view Otis Kwame Kye Quaicoe (3) at Rubell Museum, Miami, 2021.

 

FIND MORE about Otis Kwame Kye Quaicoe on Instagram

 

FIND MORE At Artwork Basel Miami Seaside, Los Angeles-based Roberts Initiatives is presently showcasing new portraits by Otis Kwame Kye Quaicoe in a particular Kabinett set up, offered along with his debut on the Rubell Museum. Quaicoe’s latest solo present “One However Two (Haadzii)” was on view over the summer time at Roberts Initiatives

FIND MORE Otis Kwame Kye Quaicoe was included in “Aesthetic of the Cool: Amoako Boafo, Kwesi Botchway, and Otis Quaicoe” at Gallery 1957 in Accra, and “Ontology: Conrad Egyir, Derek Fordjour, Otis Kwame Kye Quaicoe, Patrick Quarm, and Yaw Owusu,” curated by Larry Ossei-Mensah at Ross + Kramer Gallery in New York. Each exhibitions showcased a good group of Ghanaian artists who’ve gained notable recognition and made vital strides lately. Presently on view, Kye Quaicoe is featured in “Black American Portraits” on the Los Angeles County Museum of Artwork

 

BOOKSHELF
In 2020, “Otis Kwame Kye Quaicoe: Black Like Me” was revealed to doc the artist’s first exhibition with Roberts Initiatives in Los Angeles. Additionally take into account the lately revealed quantity “African Artists: From 1882 to Now,” alongside “Unrealism: New Figurative Portray” and “Radical Figures: Portray within the New Millennium.”

 

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