On View: See Photos From ‘Greg Breda: Nonetheless’ at Patron Gallery in Chicago, Exhibition Pays Tribute to Sidney Poitier and Resilient Characters in Black Cinema


“Feeling Free” (2021) by Greg Breda

 

On View presents photographs from noteworthy exhibitions

 

PAINTING ON VELLUM, Greg Breda creates portraits outlined by mesmerizing brushstrokes and the contemplative expressions of his topics. For his second solo exhibition at Patron Gallery in Chicago, In poor health. Breda presents seven new work specializing in resilient characters and memorable moments in largely missed movies courting from 1964 to 2019.

“Greg Breda: Nonetheless” bridges two chapters within the artist’s life. Breda lives in Los Angeles the place he labored for 40 years as an actor earlier than dedicating himself full time to portray. The exhibition options three work honoring the pioneering work of Sidney Poitier (1927-2022), the primary Black actor to win an Academy Award for greatest actor. (He was acknowledged for “Lillies of the Discipline” in 1963.)

A pair of work, “That is the place it’s at,” a portrait of Poitier, and “December for me” reference “A Heat December” (1973). A tragic love story, the movie stars Esther Anderson and Poitier, who additionally served as director. “When the Wind Comes Once more” is a one other portrait of Poitier within the position of John Kane within the 1971 movie “Brother John.” A bittersweet tribute, Breda made the work in 2021, effectively earlier than Poitier died earlier this month. CT

 

“Greg Breda: Nonetheless” is on view at Patron Gallery in Chicago, In poor health., from Dec. 11, 2021-Feb. 26, 2022

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GREG BREDA, Element of “That is the place it’s at,” 2021 (acrylic on vellum, 40 x 33 inches). | © Greg Breda, Courtesy the artist and Patron Gallery

 

The work above and under have been impressed by the movie “A Heat December” (1973) that includes Sidney Poitier and Esther Anderson.

 


GREG BREDA, Element of “It’s December for Me,” 2021 (acrylic on vellum, 25 x 25 inches). | © Greg Breda, Courtesy the artist and Patron Gallery

 


Set up view of “Greg Breda: Nonetheless” at Patron Gallery in Chicago (Dec. 11, 2021-Feb 26, 2022). | Courtesy Patron Gallery

 


GREG BREDA, Element of “When the Wind Comes Once more,” 2021 (acrylic on vellum, 52 x 40 inches). | © Greg Breda, Courtesy the artist and Patron Gallery

 

Sidney Poitier as John Kane is the topic of Greg Breda’s “When the Wind Comes Once more.” In “Brother John” (1971), Poitier’s character returns to his Alabama hometown for the inevitable funeral of his sister who’s dying of most cancers. His arrival coincides with staff unionizing on the native manufacturing facility.

 


GREG BREDA, Set up view of “When the Wind Comes Once more,” 2021 (acrylic on vellum, 52 x 40 inches). © Greg Breda, Courtesy the artist and Patron Gallery

 


GREG BREDA, Element of “Feeling Free,” 2021 (acrylic on vellum, 52 x 60 inches). | © Greg Breda, Courtesy the artist and Patron Gallery

 

Ivan Dixon and Abbey Lincoln painting the central characters in “Nothing However a Man” (1964), a relationship drama that unfolds within the South beneath the duress of race and household expectations and aspirations. The scene Greg Breda portrays captures the couple throughout a uncommon second of “Feeling Free.”

 


GREG BREDA, Element of “Love covers all offenses,” 2021 (acrylic on vellum, 33 x 40 inches). | © Greg Breda, Courtesy the artist and Patron Gallery

 

“Waves” (2019) chronicles “the epic emotional journey of a suburban African-American household—led by a well-intentioned however domineering father—as they navigate love, forgiveness and coming collectively within the aftermath of a loss.” Set in South Florida, the movie impressed “Love covers all offenses,” Greg Breda’s portrait of the sister, a personality named Emily performed by actress Taylor Russell.

 


GREG BREDA, Set up view of “Miss Sepia 1957,” 2021 (acrylic on vellum, 60 x 52 inches). | 152.40 x 132.08 cm| © Greg Breda, Courtesy the artist and Patron Gallery

 

“Miss Sepia 1957” references the 1970 movie “The Landlord,” starring Beau Bridges as Elgar Enders. His position is a privileged white man, supported by his rich mother and father, who buys a tenement condo constructing in Park Slope, Brooklyn. Greg Breda’s portrait depicts Francine “Fanny” Johnson, a resident within the constructing performed by actress Diana Sands. Fanny and Elgar have an affair and he or she turns into pregnant. Lou Gossett performs Copee Johnson, Fanny’s boyfriend who’s a Black activist.

 


GREG BREDA, Set up view of “You’ll be okay,” 2021 (acrylic on vellum, 40 x 52 inches). | © Greg Breda, Courtesy the artist and Patron Gallery

 

The movie “Feeling By way of” (2019), an Oscar-nominated, coming-of-age movie a couple of teen in want starring Steven Prescod “Tereek,” is the supply for “You’ll be okay.”

 


GREG BREDA, Element of “You’ll be okay, 2021 (acrylic on vellum, 40 x 52 inches). | © Greg Breda, Courtesy the artist and Patron Gallery

 

TOP IMAGE: GREG BREDA, Set up view of “Feeling Free,” 2021 (acrylic on vellum, 52 x 60 inches). | © Greg Breda, Courtesy the artist and Patron Gallery

 

FIND MORE about Greg Breda on his web site

FIND MORE about Sidney Poitier, who died Jan. 6, 2022, from obituaries revealed in The Los Angeles Instances and The New York Instances

 

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