New York: 5 Artwork Gallery Exhibitions Discover Works by McArthur Binion, Nathaniel Mary Quinn, Michaela Yearwood-Dan, Leonardo Drew, and Matthew Angela Harrison


CURRENTLY ON VIEW in New York, galleries are presenting solo exhibitions of artists Nathaniel Mary Quinn, Michaela Yearwood-Dan, McArthur Binion, Leonardo Drew, and Matthew Angela Harrison. The exhibits function all new work and sculpture and rising artists Harrison and Yearwood-Dan are collaborating with Salon 94 and Marianne Boesky galleries, respectively, for the primary time.


NATHANIEL MARY QUINN, “The Lesson of Minimize-Rat Liquor,” 2021 (oil paint stick, oil pastel, gentle pastel, gouache, and charcoal on linen canvas over wooden panel, in two elements, General 36 x 72 inches / 91.4 x 182.9 cm). | © Nathaniel Mary Quinn, Picture by Rob McKeever


“Nathaniel Mary Quinn: Not Far From Residence; Nonetheless Far Away” @ Gagosian, 900 Madison Avenue, New York, N.Y. | Sept. 17-Oct. 30, 2021

Brooklyn-based Nathaniel Mary Quinn is presenting new work and works on paper. His complicated, composite portraits are accompanied by equally compelling titles akin to “Pilcher and Jackson” (2021) and “The Lesson of Minimize-Fee Liquor” (2021), describing works that pay homage to a pair of influential academics and his alcoholic brother Eugene, respectively.


Set up view of Leonard Drew at Galerie Lelong, New York, N.Y. (Sept. 9-Oct. 23, 2021). Proven, from left, “Quantity 293,” 2021 (wooden and paint); “Quantity 298,” 2021 (wooden, plaster, and paint); and “Quantity 308,” 2021 (wooden and paint). At proper, “Quantity 306,” 2021 (wooden, aluminum, sand, and paint). | Courtesy the artist and Galerie Lelong.


Leonardo Drew @ Galerie Lelong & Co., New York, N.Y. | Sept. 9-Oct. 23, 2021

At Galerie Lelong, Leonardo Drew, who lives and works in Brooklyn, is presenting new sculptures and a web site particular set up composed of layered wooden supplies which were handled and reimagined into quite a lot of shapes and types. (Drew has a concurrent present of forged handmade paper pulp editions at Tempo Prints in New York and “Leonardo Drew: Cycles, From the Assortment of Jordan D. Schnitzer and His Household Basis” can also be on view on the Patricia & Phillip Frost Artwork Museum at Florida Worldwide College in Miami.)


MICHAELA YEARWOOD-DAN, “A conduit for pleasure,” 2021 (oil, acrylic, ink, gold leaf and swarovski crystals on canvas; General: 87 x 141 3/4 inches / 221 x 360 cm; Every Panel: 87 x 70 7/8 inches / 221 x 180 cm


“Michaela Yearwood-Dan: Be Light With Me” @ Marianne Boesky Gallery, 509 West 24 Avenue, New York, N.Y. | Sept. 9-Oct. 23, 2021

For London-based Michaela Yearwood-Dan‘s first solo exhibition at Marianne Boesky Gallery, new lyrical summary work are on view. Reflecting on the previous two years, her large-scale canvases are knowledgeable by the Black Lives Matter Motion, the COVID-19 pandemic, and queer liberation. Providing a number of entry factors to learn that means into her work, Yearwood-Dan usually punctuates her photos by incorporating transient phrases, strains of poetry, or novel quips, and assigns telling titles akin to “A conduit for pleasure,” “The one means is up,” and “Falling aside.”


Set up view of “Matthew Angelo Harrison: Ambidex,” Salon 94, New York, N.Y. (Sept. 14-Oct. 30, 2021). Proven, at entrance, from left, “Gemsbok Transpose,” 2021 (polyurethane resin, Gemsbok gazelle cranium and aluminum stand with acrylic) and “Paternal Veil,” 2021 (wood sculpture and polyurethane resin). | Courtesy the artist and Salon 94


“Matthew Angelo Harrison: Ambidex” @ Salon 94, East 89th Avenue, New York, N.Y. | Sept. 14-Oct. 30, 2021

For his first solo present at Salon 94, Matthew Angelo Harrison of Detroit is showcasing a collection of recent sculptures—wooden masks, collectible figurines, and bones encased in resin blocks. The works are loaded with symbolism, from references to the repatriation of looted colonial objects from European and American museums again to their African websites of origin to the parallel routes of the tourist-style objects and the Transatlantic slave commerce.


MCARTHUR BINION, Element of “Trendy:Historic:Brown,” 2021 (ink, oil paint stick, and paper on board, 72 x 96 inches / 182.88 x 243.84 cm. | © McArthur Binion, Courtesy the artist and Lehmann Maupin


“McArthur Binion: Trendy:Historic:Brown” @ Lehmann Maupin, West twenty fourth Avenue, N.Y. | Sept. 9 – Oct. 23, 2021

McArthur Binion‘s newest exhibition at Lehmann Maupin options all new work that continues to push the that means embedded in his autobiographical abstractions. Drawing on earlier collection—conceptually, materially, and aesthetically—the presentation represents a end result of his follow. CT


Printed earlier this 12 months, “McArthur Binion: DNA” explores the artist’s DNA collection, illustrates greater than 80 of the work and works on paper, and “offers perception into the rigorous and experimental spirit that has outlined the artist’s bigger follow and illuminates his place inside a essential historical past of abstraction within the twentieth and twenty first centuries.” The primary monograph of Matthew Angelo Harrison is forthcoming in November, with contributions from Natalie Bell, Elena Filipovic, Jessica Bell Brown, Taylor Renee Aldridge, and DeForrest Brown Jr. Printed in 2013, “Leonardo Drew” options textual content by Xandra Eden and Valerie Cassel Oliver (view PDF). Additionally think about “Existed: Leonardo Drew.”


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